Worldcon75 schedule. Helsinki here I come!

I’m going to be on three panel discussions at the 75th World Science Fiction Convention at the Messukeskus Centre in Helsinki, August 9-13. The organisers caution that the programme is almost-but-not-quite finalised, so if anything else gets added I’ll update this post. However these are confirmed:

Are Utopias Worse than Dystopias?

Friday 11 August, 12:00 – 13:00, Pasila library (Messukeskus)

Utopias are supposed to be good futures, and dystopias bad futures. Yet utopias are by definition ‘best’, hence preclude the possibility of change and evolution. Also, any utopia described has no place for dissidents: they only work if everybody toes the line.
Utopias tend to be reflections of the time they were formulated in, and what might be seen as a happy society in one age might be seen as terrible places in a later age (just look at More’s “Utopia”). If a utopia can’t be changed, it will eventually turn into a dystopia. Dystopias, at least, include the possibility of rebellion and the hope for change.

On the other hand, utopian thinking as a phenomenon and mindset is notably a great advantage for human society. Take the contemporary standard of equality we are enjoying; for introducing that we have utopian-thinking people and groups to thank for, (for fighting slavery, feminism, etc.) Even if not a single consummated utopian theory has been proven to be completely workable in praxis (from the ones that have gotten the chance to be tried), utopian literature and art remains an efficent laboratory for trying out and comparing different social theories, and questions on what humanity is. Science fiction that plays ontologically with WHAT-IFs is a natural habitat of Utopia as an artform.

Klaus Æ. Mogensen (M), Tom D Wright, Stephanie Saulter, Jani Saxell, Maria Candia

The Future is Approaching Quickly: SF As An Alternative to Future-Oriented Think Tanks

Friday 11 August, 14:00 – 15:00, 204 (Messukeskus)

Earlier this year The Economist ran a feature on how people who want to figure out where society is heading should read Iain M Banks.They argue the Culture is “space opera that anticipates some of the challenges that technology is beginning to pose in the real world” and that science fiction serves as an idea library that informs tech industry.

What do you think the near future will look like? Do you believe in the singularity? Will we figure out reasonable security? Will big data ruin it all? Would block chains make for good SF material? Will people accept self driving cars?

Kristina K., Stephanie Saulter (M), Nick Price, Klaus Æ. Mogensen, Qiufan Chen

It’s More Complicated Than That

Sunday 13 August, 14:00 – 15:00, 203a (Messukeskus)

“There is always a well-known solution to every human problem — neat, plausible, and wrong.” When experts try to popularise science, and politicians pronounce about economics, is a little knowledge a dangerous thing? If the public think they don’t need experts, or prefer simple lies over complicated truths, can democracy survive?

Joe Haldeman (M), Ian Watson, Stephanie Saulter, Ian Stewart


As always, many thanks to the organisers for all their hard work and smart programming. I’m really looking forward to the con, catching up with old friends and new, and spending a couple of days getting to know Helsinki before it all kicks off. (Getting a head start with Adventures in Moominland this evening in London!)



My WorldCon Schedule

UPDATE 26 July: Paradox book launch has been added!

UPDATE 18 July: I’ve received my final schedule for the 72nd World Science Fiction Convention (aka Loncon 3). Here’s what I’ll be doing even more:


Thursday 14 August 10:00 – 11:00, Capital Suite 3 (ExCel)

Does the Future Need to Be Plausible?

One of the most common complaints about Suzanne Collins’ The Hunger Games is that the world she proposed was, at best, implausible. Collins is not alone is this. But to what extent do we need veracity from our imagined futures, and how much does the measure of ‘plausibility’ differ from reader to reader? Is a science fictional story diminished if it’s too divorced from the physical reality we live in? Is there a difference between a future we can see and a future we can only hypothesize in the abstract?

Howard Davidson (moderator), Janet C Johnston, Kin-Ming Looi, Ian McDonald, Stephanie Saulter


Friday 15 August 10:00 – 11:00, London Suite 5 (ExCel)

Kaffeeklatsch – Ken Macleod, Stephanie Saulter


Friday 15 August 16:30 – 17:30, Library, Fan Village (ExCel)

Paradox Book Launch


Friday 15 August 19:00 – 20:00, Capital Suite 13 (ExCel)

SF: What It Is, What It Could Be

SF as a genre is both loaded and contested, bringing with it decades of controversies, assumptions, prejudices, and possibilities. What do the genre’s various practitioners and consumers think SF is? Are we speaking the same language, or talking past each other? How do perceptions of SF – in terms of who can write it, who can consume it, and what kinds of stories can find a market – create or reinforce realities? Is ‘core’ SF still about space exploration and colonisation, or is there room for other types of stories? If SF is ‘dying’, as we’re frequently told, what does that mean and in whose interests are the preparations for its funeral?

Tobias Buckell, Jeanne Gomoll, Ramez Naam, Alastair Reynolds, Stephanie Saulter (moderator)


Friday 15 August 22:00 – 22:30, Capital Suite 13 (ExCel)

Reading – Stephanie Saulter


Saturday 16 August 13:30 – 15:00, Capital Suite 5 (ExCel)

Race and British SF

Four years ago, Tricia Sullivan threw a spotlight on the gender balance of SF authors published in the UK, leading to a continuing conversation that is – perhaps – finally having an effect. However, although other aspects of representation have been mentioned in the course of this conversation, they have rarely been the focus, and in particular it can be argued that UK fandom and publishing have not talked enough about race. To use the same barometer as Sullivan, only one writer of colour has ever won the Arthur C. Clarke Award, and so far this century only three have been shortlisted. Yet the success of diversity-led events such as Nine Worlds suggests the audience is there. So what else should publishers and fannish institutions in the UK be doing to support writers of colour? Whose work should Loncon attendees rush to buy in the dealer’s room? And whose novels and stories are we eagerly anticipating?

Dev Agarwal, Amal El-Mohtar (moderator), Tajinder Hayer, Stephanie Saulter, Russell Smith


Saturday 16 August 16:30 – 18:00, Autographing Space (ExCel)

Autographing 1Stephanie Saulter


Sunday 17 August 15:00 – 16:30, Capital Suite 10 (ExCel)

You Don’t Like Me When I’m Angry

Commenting on the portrayal of Magneto in X-Men: First Class, Abigail Nussbaum noted that there is an “increasing prevalence of vengeful victim characters, who are condemned not for the choices they make in pursuit of revenge, but simply for feeling anger … There is in stories like this a small-mindedness that prioritizes the almighty psychiatric holy grail of “healing” – letting go of one’s anger for the sake of inner peace – over justified, even necessary moral outrage.” Which other stories – on TV or in books, as well as in films – follow this template, and whose interests do they really serve? Where can we find screen depictions of the power of anger, and/or other models of anger?

Abigail Nussbaum’s full review can be found here (although the discussion is intended to range wider than this single film or franchise, and include stories from any media).

Nin Harris, Martin McGrath, Mary Anne Mohanraj (moderator), Tansy Rayner Roberts, Stephanie Saulter


Sunday 17 August 16:30 – 18:00, Capital Suite 9 (ExCel)

SF/F Across Borders

Genre writers such as Vandana Singh, Geoff Ryman, Tricia Sullivan, and Zen Cho are already travellers to other worlds. Many authors write as resident outsiders, and want to write their new homes as well as their old. How does the experience of moving between countries affect the writing of fiction? How can or should writers respond to the varying power dynamics of race, language and culture involved in such migrations? And how should readers approach the stories that result?

Jesús Cañadas, Glenda Larke, Yen Ooi Ms, Stephanie Saulter (moderator), Suzanne van Rooyen


Monday 18 August 11:00 – 12:00, Capital Suite 14 (ExCel)

Paradox Book Discussion

A discussion of the science and fiction elements in the stories in the Fermi Paradox anthology from the authors who wrote them.

Pat Cadigan, David L Clements, Paul Cornell, Adam Roberts, Stephanie Saulter, Adrian Tchaikovsky, Ian Whates (moderator)


Many thanks to the organisers for such a brilliant itinerary! It goes without saying that I’m looking forward to all of my events. I can’t wait to see the full programme – it’s never too early to start despairing about one’s inability to be in two (or three, or four) places at the same time.

  • I love stories.
    My new novel, Sacred, is all about them. Publication info will be posted as soon as I have it.

    In the meantime check out Gemsigns, Binary and Regeneration, available wherever good books are sold.

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