GEMSIGNS extract on the web, + reviews, + discussion

Civilan Reader has posted an excerpt from Gemsigns, with a review to follow next week:

Excerpt: GEMSIGNS by Stephanie Saulter (Jo Fletcher Books).

There’ve also been two brilliant new reviews this week; one in the current issue of SciFiNow magazine, and the other on the Australian blog Speculating on SpecFic. Both are linked via the Reviews tab above.

And Jo Fletcher Books has contributed to the ongoing debate about gender imbalance in science fiction authorship and readership on their blog, and I’ve added my tuppence in comments; to the effect that the general public’s ongoing perception of SF as being limited only to a certain ‘type’ of book is at least as damaging as the gender issue. You can read that here.

Riding the come-down

After a year of angst and anguish, painfully slow progress, wrong turns and backtracks and the startling discovery that yes, the second book really IS harder to write than the first, I’ve finally done it. Binary is complete.

Back on 9th May I said I thought it would take another couple of weeks; as so often with this book I was both right and wrong. I got to the end and typed ‘The End’ last Wednesday, neatly inside my estimate, but it took another 4 days of morning-to-midnight work to fill in missing bits of text and fix errors, incoherences and inconsistencies. The obvious ones, anyway. I’ve no doubt that editor and assistant editor, agent and alpha readers will catch lots of things I missed. And thank goodness for that, because at this point I know I’m far too close to it to be able to see it clearly. It’s only been done for a day and a half, and I am swinging like a pendulum between sunny confidence that it’s a flawless book full of fabulous characters and a fantastic plot — and a dreary conviction that my reach has far exceeded my grasp, that the mysteries I’ve constructed are so intricate they will make sense to no one but me.

Here’s a prediction you can lay money on: I’m going to be wrong on both counts. With any luck I’ll be very wrong on the second, and only a little wrong on the first.

I can say that because when I finished Gemsigns a year and a half ago and sent it off to the loose group of friends, family and acquaintances that I dubbed the ®Evolution Readers, I felt pretty much exactly like this. I was mentally exhausted, emotionally drained, and I honestly didn’t know whether I’d written a good book or 100,000+ words of gibberish.

Turned out it was, fundamentally, a good book. And after about a month of not looking at it, I was able to read through with a clear head and see that; and with the comments of those alpha readers to hand, fix the inevitable outcrops of error and poor prose. So I am comforted by that memory, and confident that the experience will be repeated.

In the meantime Gemsigns is making its way in the world — to as wonderful a reception as any debut author could hope or dream of (see the Reviews link above) — and will be formally launched in the USA next May as part of the Jo Fletcher plan for world domination. I have a sorely neglected house and garden to attend to, and next week I’m off to Jamaica, to visit family and friends I haven’t seen for eighteen months, sun myself and swim and hopefully decompress a bit. There’ll be promotional events there too, including a local launch, reading and discussion at Bookophilia, Kingston’s premiere bookstore. And I have the third book of the ®Evolution to think about, to plan and to write.

But not just yet. The pendulum needs to stop swinging first.

NANP: Naming the ®Evolution | Angels of Retribution

I’ve declared a bit of a moratorium on blogging until Binary is finished and handed in (about 2 weeks to go I reckon). But that doesn’t mean I haven’t been busy elsewhere! Blogger and reviewer Abhinav Jain invited me to contribute to his ongoing Names: A New Perspective series of guest posts, in which authors talk about the significance of the names and naming conventions they use in their work; their importance to the overall fabric and texture of the story; and the challenges of choosing the right strategy. Naturally, I was delighted to accept. So follow the link to read about what it was like to name the  ®Evolution, and do check out the other posts in the series as well – some very useful tricks and techniques are discussed. I’m struck by the fact that despite the many, many different ways there are to address this aspect of storytelling, a common feature is the importance we all attach to it. To quote myself: Names unlock stories.

NANP: Naming the ®Evolution | Angels of Retribution.

Thank you Abhinav, it was a pleasure to participate!

#WomenToRead and Reviews

A quickie post to draw your attention to two cool things that happened yesterday, both discovered by me during what *should* have been a fifteen-minute tea break. One was the #womentoread meme on Twitter, started by Kari Sperring in response to the Strange Horizons analysis of SF book reviews in 2012, broken down by gender of author and gender of reviewer (the not-so-surprising conclusion: more books by men were submitted; more books by men were reviewed; more reviewers were men).

The analysis is interesting but hardly surprising, certainly not to anyone who’s been paying attention to the storm of controversy surrounding the Hugo and Clarke awards shortlists and the broader and deeper issues they illuminate about the challenges facing female writers of science fiction. For those who haven’t, the headlines are: it’s felt that it is generally harder for us to find an agent and/or publisher; that our books are less likely to be stocked by bookshops; and less likely to be reviewed, either by bloggers or more mainstream critics.

(I have to pause here for a moment to shout from the rooftops that MY AGENT AND PUBLISHER ARE EXCEPTIONS! Ian Drury represents a clutch of female authors who write SF, and Jo Fletcher Books has published not one, not two, but THREE science fiction novels by women so far this year: Karen Lord’s The Best of All Possible Worlds in January, Naomi Foyle’s Seoul Survivors in February, and Gemsigns by yours truly in March. Gemsigns is being carried by most bricks-and-mortar retailers – and is being added by more – and all online retailers. And I’ve been getting a steady stream of reviews, long may they continue. That doesn’t mean the problems people are talking about don’t exist, of course; just that so far I personally have nothing about which to complain.)

The #womentoread hashtag unleashed a torrent of names, in which I was flattered to find myself included several times by several contributors. For an author who has, as of today, been published for all of a month it feels like a real validation. But more importantly, there are literally dozens and dozens of authors listed there – maybe hundreds by now – writing in all genres, from all over the world. They are the writers other writers turn to for inspiration, instruction and entertainment, and they are well worth checking out.

The second cool thing was another good review of Gemsigns, by Sophie Atherton for Starburst Magazine. Thank you Starburst and Sophie – both for the review itself, and for bucking the trends described above.

I should note that, as promised a couple of weeks ago, I have reorganised the menu structure of this site in order to put up a Reviews tab. I’ll post links to every review I’m aware of there (unless they contain unflagged spoilers, which I will NOT link to, no matter how good the review might otherwise be). And I do mean every review; so far they’ve all been really positive, and of course I hope that continues to be the case, but as I said in an earlier post I expect – and respect the right of – reviewers to not all like the same thing. So as long as reviews are decently written, not spoiler-y and not abusive, I’ll include them.

Yes, I know I’m late

This post is about five days late. I should have written it last Saturday, a bleary-eyed morning after the night before, to report on the Friday launch party for myself and fellow debut author Naomi Foyle at the Phoenix Artist Club. The Phoenix is a wonderfully funky venue in the basement of the eponymous theatre, on the corner of Phoenix Street and the cacophony of the Charing Cross Road. As someone said at the time, it’s the kind of place where you almost wish they had made an exception to the smoking ban; it feels like it should be blanketed in a fug of aromatic combustibles, through which famous figures are dimly glimpsed in scandalous liaisons, or slouched against the bar. (But we’re glad they didn’t, because the unromantic truth is that we would have exited early, coughing and smelling like the back of a lorry.)

As it was, we had a great evening. Loads of our friends came, along with fellow authors, bloggers and industry folk; Jo Fletcher, Ian Drury and Nicola Budd held court. Stories were told, books were sold, and a great deal of wine was drunk. As usual I was very remiss about taking pictures, but my friend Iris was thankfully more diligent.

So here’s me signing and talking about Gemsigns with Cherryl:

Launch: Stephanie with Cherryl

 

 

 

 

 

 

 

 

And here’s Jon carrying the booty:

Launch: Jon with books

 

 

 

 

 

 

 

 

 

Cherryl and Jon are two of my ®Evolution Readers, the guinea pigs who let me foist the first draft upon them and thereby became alpha readers and first critics. Many of the others made it too: Anna, Alison, Joady, Rachel and Matt were all there. So were fellow authors Jaine Fenn and Snorri Kristjansson, old friends Nicole and Natalie, Jon (the other Jon) and Matt (the other Matt), and new friend Siobhan (who I met at Eastercon) along with her husband Nev. Many, many thanks to them and to everyone else who came.

So a great time was had by all, though the level of inebriation was hardly enough to explain my lateness in posting; no, that was down to heading off early the next morning to the studio of photographer Frederique Rapier, who took great shots of my brothers Storm and Nile and their New Caribbean Cinema partner Michelle Serieux when the three visited last year to screen their films at the BFI. I need better headshots than the DIY profile I’ve been using (the reason will become clear when The News I’m Not Allowed to Share is shared). Look out for a far better picture of me premiering on this blog soon (and don’t be surprised if when we meet I don’t look nearly that good in person). Then I headed into the West End to check out a piece of intel I’d gotten at the party: that Gemsigns was starting to appear on the shelves of some shops that we’d thought weren’t going to stock it. And – it is! Cue happy dancing among the stacks and snapping and tweeting. And a very late lunch and a spot of shopping, and that was it for Saturday.

Sunday was supposed to be a quick and easy train ride home to Devon, but here disaster struck; not me, I’m happy to say, but after sitting immobile on the tracks for close to an hour somewhere around Ealing, we were sent back to London with the tragic news that someone had been struck by the train a mile or two ahead of us. Generally a delay of more than two hours, with crowds of people packing out Paddington as no trains moved in or out, would result in loud and aggressive complaining and much harassment of staff; but there was none of that. Looking around I could see that we were all thinking about the person who’d been killed, and very aware that whatever inconvenience we were experiencing was nothing next to the anguish of that unknown person’s family and friends. My heart goes out to them, whoever they are.

So home very late, and appointments and grocery shopping and emails to respond to on Monday, and back to work on Binary … and a cold that came out of nowhere, grabbed me by the throat (literally – it’s one of those it-hurts-to-swallow colds) and has pretty much flattened me for the past couple of days. Work is getting done, but not at pace.

However! I’m feeling a bit better today, I’ve finished the review/rough edit of the draft so far, and have a good sense of the shape the final chapters need to take. I’ve also spotted some of the more obvious bits that need fixing, which will spare me the embarrassment of having Jo or Nicola point them out. So, late or not, things are going well and that particular finish line is in sight. Blogging may suffer a bit, but one has to prioritise …

The Subtext of Gemsigns

This is one of several posts I’ve written for the Jo Fletcher Books blog this month, linked below and reblogged here:

The Subtext of Gemsigns | Jo Fletcher Books.

There are many layers to Gemsigns. You certainly don’t have to be conscious of all of them to enjoy the book – I think a story has to work purely on the level of characters and plot, or it doesn’t work at all.  But my favourite stories are always those that try to examine some deeper truths as well.

Dealing with difference: To a huge degree Gemsigns is about what happens when those who have been overlooked and elided and generally made absent are allowed to emerge, and a society that has become extremely homogenous has to confront diversity. For the most part the gems don’t have the option of ‘passing’ because visible identifiers have been engineered into them so they can always be seen to be different; these are the ‘gemsigns’ of the title. The big foreground conflicts are based in public safety scaremongering, the economic consequences of emancipation, and fundamentalist religious hatred; but the thing that gives all of those issues traction, that fuels the fire of the various factions, is a deep-seated unease with difference.

Post-emancipation politics: I’m really interested in the ‘what do we do now’ moments – the bits that come after the monster has been slain, the catastrophe averted, the battle won. It’s common in fiction for that to be the point at which the story ends, but I often think that’s when things really start to get interesting. Who picks up the pieces, and how do they put what has been broken back together again? How do the survivors actually survive? How does the experience of what they’ve been through alter the decisions they make and shape the society that results? An early, abortive attempt at writing the book had the action set before the Declaration of the Principles of Human Fraternity, when the gems were still fighting for even limited freedoms. I got a few thousand words into that version and thought, Hang on. I’ve read this story – I know where it goes and how it ends. What happens after that? That’s the story I decided to write.

Mothers and children: It bugs me how few believable family relationships we see in science fiction. They crop up more often in fantasy, but even there they are rarely explored beyond the standard tropes – the Denied Daughter, the Special Son, the Troubled Teenager, the Vengeful Wife, the Cruel Patriarch. But the dynamics of family are far more complex and subtle than that; not to mention fundamental to forming us into the people we become. What happens to family in a world where children are doomed to die? Or where mothers may bear children but not keep them? Where generations of children are raised by institutions instead of parents? Putting a child’s fate at the heart of Gemsigns gave me a way in to exploring those questions. The relationship between Gaela and Bal and their adopted son Gabriel is central to the story, but the fates of many other mothers and children are chronicled as well. If the big headline question the book asks (as has been noted by many others, not least Jo Fletcher herself) is: What does it mean to be human? then the smaller, subtler, but no less important question is: What does it mean to be a mother?

On Buying Books and Being Published

It’s time to use that handy little Press This widget and link to some recent bloggage elsewhere. First here’s Jo Fletcher on why she joined the ®Evolution (or if you want to be prosaic about it, why she bought Gemsigns and commissioned Binary and Gillung):

Why did I buy that book? Jo Fletcher on Gemsigns | Jo Fletcher Books.

And then there’s me, on what becoming a published author actually felt like:

On being published by Stephanie Saulter | Jo Fletcher Books.

I’m writing lots of posts for the Jo Fletcher Books blog this month; I’ll either repost them here, or link as above. If I mention something you want to know more about, do please ask!

The week in review

I’ve just about caught up with myself.

If you’ve been keeping an eye on blog posts and tweets you’ll know how much was happening how quickly last week. Over Monday and Tuesday I was interviewed by the Free Word Centre, and on Wednesday by Cheryl Morgan on Ujima Radio, following which I got to go to Foyles and Blackwell’s in Bristol and sign books. Then on to London for publication day on Thursday, at which I got to sign even more books. I’ve already written a post for the Jo Fletcher Books blog about what it feels like to be published; in it I talk about one of the undisputed highlights of the day, seeing a signed copy of Gemsigns in the front window of Forbidden Planet on Shaftesbury Avenue. Hard on its heels came another. As I tweeted the moment a mention popped up on my phone – a recommendation from no less a luminary than the great SF writer Ian McDonald. Exit dewy-eyed author stage left, enter stunned fangirl stage right.

Then on to a meeting with Jo herself, and a review of what’s happening now and what happens next. There was some Very Big News that I cannot share on pain of being shot, but it’s got me properly excited. Celebratory drinks were had with Jo, newly (and deservedly) promoted Assistant Editor Nicola Budd, and my super-agent Ian Drury. Then we went to the Goldsboro Books Fantasy in the Court party and had even more drinks. I’m not blessed with a high alcohol tolerance, and there was a moment when I knew I had to slip out of there, sit down, drink about a gallon of water and have something to eat before things went from the sublime to the queasy.

Then on to Eastercon in Bradford. I was waiting to check in at my hotel on Friday morning when a video interview that I’d given to Anna Bialkowska in York 10 days earlier finally made it out of editing and online. I watched it in the cafe, amazed that I don’t seem to come across as the gibbering idiot I’d felt at the time; tweeted and hastily blogged; and then took myself off to the convention.

My first Eastercon. What can I say? It was great, it was mad, it was exhausting, it was wonderful. I met fantastic people – far too many to list, but they’re on my Twitter feed now and my world feels expanded. My three panels – Debut Authors, The Far Future and Why Is the Future Drawn So White? – were all lively and engaging and went very well (the last, about the exclusion of non-white characters in SFF, went so well it kept going for half an hour in the lobby after we got chucked out of the room). I did a surprisingly effective reading from Gemsigns and sold about three books on the back of it. I signed at the signing and I signed in the Dealer’s Room and I signed at the JFB party on Sunday night and I signed in the hotel restaurant the next morning. I signed until there were no books left. That’s right – Gemsigns sold out at Eastercon.

And then the reviews started coming in. There were two on Monday, and I read them on the train from Bradford to Bristol. Here they are.

Over the Effing Rainbow

And Then I Read A Book

What else is there to say? Not much. This week feels like a miracle. And yet, and yet … in light there is darkness. Rumours began to swirl over the weekend about the health of Iain M. Banks, masterful author of both SF and contemporary fiction (the latter under the clever pseudonym of Iain Banks). I hoped against hope they would prove untrue, but I knew there was little chance of that – the people who knew were people who would know. It’s since been confirmed that Iain is, as he puts it, Very Poorly and unlikely to grace us for much longer. It grieves me more than I can say. He’s one of the writers I’d hoped one day to meet; one of the ones who I count as inspirational, though the far future space opera of the Culture novels may bear little resemblance to the ®Evolution. But it was reading those books, along with works by Richard Morgan and others, that got me thinking about what kind of near-future decisions might lead to those far-future developments. What’s the starting point for a society, in order for it to eventually become the Culture? was one of the questions I asked myself. I wondered what the creator of the Culture might think of my answer. I doubt either of us will ever find out. It makes me sad, and it reminds me that our time is limited. You never know how long you’ve got left to check off all the things on your list, to get the work done.

And so it’s back to Binary for me, and then on to Gillung, and hopefully many more books and launches and wonderful weeks. There’s no time to lose.

UPDATE: MORE REVIEWS

I think I may put up a ‘Reviews’ tab in the menu, but for now I’ll link these here:

Cheryl Morgan’s review of Gemsigns

Gemsigns on Amazon UK

Interview! On camera! On the interweb!

Remember when I said I’d been interviewed on camera, and was really quite nervous about it, but would post the results no matter how cringeworthy? Well here it is:

I was really tired at the time and it shows, but cringes otherwise are minimal. I talk about Gemsigns a lot, myself a little. Near the end I share my sense of good fortune at being a Jo Fletcher Books author, and trail Eastercon appearances. For which I must depart post-haste …

Publication day giveaway: Gemsigns!

No surprises for guessing which book I’m giving away this week – mine! Gemsigns is available online and in bookshops as of today, and you can win it here. First off, a reminder of what it’s about:

20130328-162135.jpg

Humanity stands on the brink. Again.

Surviving the Syndrome meant genetically modifying almost every person on the planet. But norms and gems are different. Gems may have the superpowers that once made them valuable commodities, but they also have more than their share of the disabled, the violent and the psychotic.

After a century of servitude, freedom has come at last for the gems, and not everyone’s happy about it. The gemtechs want to turn them back into property. The godgangs want them dead. The norm majority is scared and suspicious, and doesn’t know what it wants.

Eli Walker is the scientist charged with deciding whether gems are truly human, and as extremists on both sides raise the stakes, the conflict descends into violence. He’s running out of time, and with advanced prototypes on the loose, not everyone is who or what they seem. Torn between the intrigues of ruthless executive Zavcka Klist and brilliant, badly deformed gem leader Aryel Morningstar, Eli finds himself searching for a truth that might stop a war.

Gemsigns has been called political science fiction, social science fiction, a thriller (which it definitely is) and an example of old-fashioned storytelling (which I take as a compliment). Everyone agrees that it’s about what it means to be human. But there’ll be no tricky questions about that from me this week – I just want to know why you think you should win. Post your answer in comments, or tweet it to me @scriptopus (or both!). You have until midnight on Sunday (UK time) to get it in, then I’ll pick a winner. The competition is open to you wherever you are in the world, as long as your answer is in English. Prizes will be dispatched from Jo Fletcher Books HQ in London, and remember, we’ll need your address if you win.

Here’s the question again: Why should you win a copy of Gemsigns?

  • Unknown's avatarI love stories.
    My new novel, Sacred, is all about them. Publication info will be posted as soon as I have it.

    In the meantime check out Gemsigns, Binary and Regeneration, available wherever good books are sold.

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